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Bibliography |
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BIBLIOGRAPHY
[1] R. D. Blevins, (2001) Formulas for Natural Frequency and Mode Shape, Krieger Publishing Co., FL, 233-249, 329-335.
[2] M. J. Elejabarrieta, A. Ezcurra, and C. Santamaria, “Vibrational Dynamics of the Resonance Box of the Guitar: Finite Element Method and Modal Analysis,” J. Acoustical Society, 4 (4) Series II, 37-41.
[3] N. H. Fletcher and T. D. Rossing, (1998) The Physics of Musical Instruments, 2nd Ed., Springer-Verlag New York Inc., NY, 239-271.
[4] Forest Product Laboratory, (1999) Wood handbook – Wood as an engineering material, Gen. Tech. Rep. FPL-GTR-113, WI, 4.1-4.43.
[5] Herringbone Dreadnaught Blueprint, Part # 18ZDH, Guitarmaker’s Connection, PA.
[6] D. C. Hurd, (2004) Left-Brain Lutherie: Using Physics and Engineering Concepts for Building Guitar Family Instruments: An Introductory Guide to Their Practical Application, Ukuleles by Kawika Inc., HI.
[7] B. E. Richardson and G. W. Roberts, (1985) “The Adjustment of Mode Frequencies in Guitars: A study by Means of Holographic Interferometry and Finite Element Analysis,” Proc. Stockholm Music Acoustics Conference, Pub. Royal Swedish Academy of Music, 285-302.
[8] B. E. Richardson (2002), “Simple Models as a Basis for Guitar Design,” J. Catgut Acoustical Society, 4 (5) Series II, 30-36.
[9] T. D. Rossing, J. Popp, and D. Polstein, (1985) “Acoustical Response of Guitars,” Proc. Stockholm Music Acoustics Conference, Pub. Royal Swedish Academy of Music, 311-332.
[10] R. H. Siminoff, (2002) The Luthier’s Handbook: A Guide to Building Great Tone in Acoustical Stringed Instruments, Hal Leonard Corporation, International Copyright Secured, 70-88.
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